The Yet Untold Truth of Ancient Egypt: Africans' Best Path to Identity, Integrity and Spirituality - part II
https://www.academia.edu/35155917/The...
Excerpts:
16. Hieroglyphic Writing: the World's Foremost Theory, Ideology and Weltanschauung that impacted the Mankind like no other system
Without the Hieroglyphic Writing, there would never be Egyptian Art (Painting, Sculpture) as we know it, because the art forms are in reality hieroglyphic signs that are personified as per each case.
Without Hieroglyphic Writing, there would not be any idols, icons, and representations elaborated for either religious or artistic purposes.
Without Hieroglyphic Writing, there would not be Greek civilization, Roman civilization, Christian civilization, Islamic civilization, Western civilization and Modern 'civilization'.
Without Hieroglyphic Writing, the three driving forces of the Modern Western World and the Modern World in its entirety, namely the Jesuits, the Freemasons and the Zionists, would never come to existence.
The invention of the Hieroglyphic writing is not the equivalent of the simple and low process of formulating an easy writing system like an alphabet. The Hieroglyphs are the foundation of the Universal Theory and Ideology of Image / Idol. All the signs are 'images' or at least are thought to be so.
In fact, no idolatry would ever occur and no need for representation, painting, sculpture, architecture, theater, photograph and cinema would ever exist without the Founding Fathers of the Hieroglyphs, all those deviate and misfortunate magistrates who thought it possible for 'representation' to ever exist within the material world.
The colossal task must therefore have been the result of the work of an early college of priests and spiritual potentates. But which one? The Hermupolitan, the Heliopolitan or the Memphitic priesthood? We will probably never know for sure. And yet, this would be of great importance! However, we have the tendency to ascribe the gigantic undertaking that impacted the world like no other system, theory or ideology to the Memphitic priesthood, its earliest form or its predecessors.
17. Hieroglyphic Writing: at the antipodes of the Ancient Egyptian Spirituality
On the other side, the unified field of semiotics that are the Images - Elements of the Hieroglyphic Writing was obviously at the antipodes of the cardinal points of the Ancient Egyptian Spirituality, according to which - and similarly with the Sumerians, the Assyrians and the Babylonians in Mesopotamia - "as above so below". As a matter of fact, "as above so below" means that the only representation that can exist is the material world itself; it is indeed the representation of the spiritual world. So, this is the Order of the Creation.
Since every item of the material world is the living representation, the reflection and the mirror of its spiritual counterpart, any attempt to fabricate another representation, a fake image within the material world, is an act of counterfeit creation, and as such an abominable deed full of blasphemy and sacrilege.
And this reality (that the hieroglyphs are a form of creation) would be utterly confessed by all Ancient Egyptian priests, scribes, architects and artists; it is actually very well documented. They believed that the hieroglyphic signs, carved as bas-reliefs on the walls of their temples or painted on the walls of tomb chambers, ceaselessly emitted their energy across the material universe.
- What were the Ancient Egyptian temples the architectural structure of which remained unchanged for more than 3000 years?
- A micrography, a miniature of the Universe.
So, covering the miniature of the Universe with signs that emitted their energy and electromagnetic fluids across the universe was indeed an act of Black Magic and an evil effort to alter the Creation and hinder its purpose.